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My work develops through layering, scraping, cutting, stitching, and rebuilding with acrylic, pastel, graphite, and textile. I explore rupture and repair through disrupted surfaces, layered materials, and the tension between bold action and quiet attention.

The accidental is not a problem to solve but the subject itself: the evidence of a painting that could only have been made by this person, in this moment, under these conditions of genuine uncertainty.